I eventually worked this out and imported all the videos into the app. I was going through my videos and deleting videos I didn’t need when I could have just done it in the app. Originally I resisted editing in the app, which slowed me down somewhat. I shot over 100 clips throughout the day, and then after my walk I retired to a cafe and started playing with the app. It’s a place I love to wandering whenever I am in Saigon so I knew my way around and which temples to visit for the video. To try the app out I spent an afternoon wandering around Cholon, which is the Chinatown area of Saigon. The Cameo Video Editor & Movie Maker is only available for iOS, so if you are on Android you can bail out of this review now. Apart from the licence issue of using popular music, finding free stock music can be a real chore.Ī saw that Vimeo has an app that not only allows you to edit on your phone but it has a selection of free music as well, so I gave it a try for this review. My problem is that I can spend ages finding the right song. I prefer to make a montage of images so having a raw soundtrack isn’t a cohesive listen. One of the other barriers I’ve always had was music selection. I’ve always been stuck on the editing process though as you can see from my Vimeo account. You can use the Audio Library tool in Youtube to find a free work or the Music Policy tool to see the current rights status of whatever works you're using.Every time I see a travel video in the Vimeo staff picks I’m always inspired to start doing more video. There are some workarounds but ultimately the easiest thing to do is swap out the song you are using. I'm going to assume you're trying to upload something on Youtube, if that's so, it may simply be the case that the music you are using is something the copyright holder does not want to be reproduced. On Youtube, the system used is ContentID, and it automatically determines if there is a copyrighted work in your video and then will serve ads on that video to generate revenue for the rights holder. A lot (most?) mainstream copyrighted works fall under the umbrella of these license agreements. The one way around this is if Youtube and the songs publisher have entered into license agreements that allow the use of copyrighted material in exchange for a piece of the advertising revenue that video earns. As a result they are not in compliance with copyright law. Given how onerous this is, the vast vast majority of non-professionals posting videos to Youtube and Vimeo never obtain said license. What's more, given that the video will be broadcast to the public, you technically also need a public performance license. These licenses are much more difficult to obtain as they must be individually negotiated with both the owner of the master and the owner of the composition itself. Whereas both mechanical licenses and live performance licenses are (to a point) automatically granted, what you would need to be in the clear is a synchronization (sync) license, which gives you the right to sync a copyrighted piece of music with a piece of film or other moving picture. The PROs collect data on live performances, collect from venues, and distribute to publishers. The collection and distribution of royalties is handled by third party Performing Rights Organizations (BMI and ASCAP are prime examples) who count as their clients music publishers. The rights to play music like this is covered by a public performance license that is typically held by the venue and typically covers their playing of prerecorded works and any live acts. Nor are there the structures in place to collect royalties on the live performance of a copyrighted work. In these cases the royalty amounts are statutorily defined and the collection and distribution of royalties is handled by third parties like Harry Fox. Long answer, unlike when you reproduce a recording, download it, or stream it, there is not a predetermined mechanical royalty structure in place. I am not a copyright lawyer but have done some consulting in the space so take what I'm about to say with a grain of salt.
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